Assignment 4: References

Part 4 - REFERENCES

Baker, B. & Saker, M. (2007) Music Theory in Practice, Volume 2, Michigan, McGraw-Hill.

Belkin, A. (2009) Principles of Counterpoint, 3^rd Edition. [ONLINE].  Avaliable: https://www.webdepot.umontreal.ca/Usagers/belkina/MonDepotPublic/bk.C/C.pdf

Lots, I. S., & Stone, L. (2008). Perception of musical consonance and dissonance: an outcome of neural synchronization. Journal of The Royal Society Interface, 5(29), 1429-1434.

Slepian, D. (1947). The Musical Quarterly: Vol 3: Polyphonic Forms and Devices in Modern American Music, Oxford, Oxford University Press.

Wade-Matthews, M. & Thompson, W. (2011) The Encyclopedia of Music: Musical instruments and the art of music making, Leicestershire, Anness Publishing Ltd.

Zentner, M. R., & Kagan, J. (1998). Infants' perception of consonance and dissonance in music. Infant Behavior and Development, 21(3), 483-492.